Words on the Page

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Dealing with Tough Writing Client Responses

What’s on the iPod: Everything Has Changed by Taylor Swift (feat. Ed Sheeran)

Yesterday was a good day. Despite one minor upset to start the day, I got halfway through a project that’s turning out to be a lot of fun to put together. I have one interview today and hopefully I’ll be able to hand it in days early.

About that one little upset; it was minor, but it’s the kind of thing that, if you let it affect you, can spoil your mood. It was a note from a prospect. In a phone conversation, I had given my project price. The prospect then asked for a proposal, which I worked up based on that price. After a few days of silence, I followed up. The reaction wasn’t what I’d expected — my pricing, it seems, was considered outrageous by this particular company.

My response — nothing.

It’s okay for people to not agree, especially on price. While it could have been worded differently by the prospect –and frankly the unprofessional nature in which I was told no thank you was the only shocking part of it–it boiled down to one thing. I was not within their budget.

All writers face this at one point or another. The price doesn’t fit, the first draft isn’t a winner, or the client for whatever reason decides you’re the punching bag of the day. If you’re not confident in your pricing and your abilities, it can hit you like a lead pipe. So maybe it’s easier to take if we understand why these reactions happen at all.

Your price is too high — for that client. I would have been flustered about this comment except I have several clients who pay that already. Why? Because I specialize and I can deliver exactly what they want or damn close to it. Not every client can afford you. Your career, and your rate, progresses. Often that means some clients won’t have the money for you. It’s okay. Even if they make blanket statements that have no basis in your reality (like the dude years ago who told me I’d have to bring my rate down), the bottom line is they simply can’t afford you on their budgets. That can’t be your problem or you’d be compromising your rate constantly. My guess is that particular prospect would balk heavily at having to compromise their own rate. Frame it that way and you’ll have an easier time accepting the knee-jerk reaction.

They had a price in mind, but didn’t mention it. Suppose you have a client wanting a ghostwritten article. You look at your past projects and give them a price based on the estimated time it takes and your current rate. They fuss or get angry because you’re too expensive. Why? Because someone thought “I’ll have a writer do this for $400.” Only a proper white paper, billed at $125 an hour, could run anywhere from $600 to $3,000, depending on the length and research involved. You can’t negotiate the “Here’s my budget for this” if they don’t tell you what that is.

They have marching orders with strict parameters. I suspect in a few cases, I’ve had clients who were answering to someone higher up the food chain. If someone else is controlling the budget and this is someone your contact has to report to, there’s added pressure to get the writing done in the most cost-effective way. It’s sort of a no-win situation for you if your price doesn’t mesh with this invisible person’s directive. The frustration your contact feels with not being able to deliver is, you guessed it, dumped on you. Unfair, but it’s not your client and you needn’t bother wasting any more time on someone who would be so rude.

They’re looking for a freebie. I’ve had client prospects expect a bargain rate the first time out of the gate. That’s never a situation I want to put myself in, nor should any writer. Any client who would demand a discount without proving they’re going to pay you isn’t living in any professional reality. The arrangement is too one-sided for it to work, and that one low-paying job will just morph into many of the same.

They’re testing you. I’ve had clients push back on price to see what they could get away with. At first you don’t necessarily see it, but after a few times at the rodeo, you can tell pretty quickly when a client is trying to get a lower price for your writing. It’s okay, especially with new clients, to offer alternatives to lowering your price. Susan Johnston at Urban Muse suggests offering a smaller project, such as dropping blog posts and writing just the brochure, etc. That makes you more affordable, and if they’re really interested, they’ll consider it.

They think they’re in control of your wages. It’s tough for people in employer/employee relationships to understand the contractor relationship. Even though they pay grocery stores, dentists, mechanics, and lawn services a set rate, they can’t quite wrap their brains around the idea that a contractor working with them on their projects can set their own rates. They see your price and think “Outrageous!” when in fact your rate is probably right in line with what they pay their employees in salary and benefits.That aside, your rate is yours to set and to negotiate as you see fit.

How do you deal with the unprofessional client reaction?
In general, how do you handle it when a client balks at the price?

10 responses to “Dealing with Tough Writing Client Responses”

  1. Anne Wayman Avatar

    Lori, when someone balks at my price, I thank them for their time, suggest they consider me a resource and leave them behind.

    Oh sure, some I'll negotiate a bit with maybe. But basically my price is my price –

  2. Cathy Miller Avatar

    I respond with something like the following:

    Thank you for letting me know. I would be happy to discuss future opportunities with you should your conditions change. I wish you continued success.

    Of course, that's assuming I want to do business with them in the future. ;-)If not, I would simply leave out the 2nd sentence.

  3. Paula Avatar

    I love Cathy's reply – subtly underscoring the problem isn't her price but their inability to meet it!

  4. Devon Ellington Avatar

    Love what you, Anne, Cathy, and Paula have to say. I'm the same.

    I get a lot of ire by "aspiring" writers who claim they want an editor, and really want an editor for free. Um, no. My price is my price, and if you need an editor before you submit to a publisher, then you need to pay a fair price. This is my business, not my hobby, and every minute spent on your work is a minute less spent on my own.

    I've had some nice responses saying I'm out of the budget, and then we keep in touch. But the nasty ones — they'd be a nightmare to work with anyway.

    I've had a few would-be clients try to get me to jump through ridiculous hoops to "earn" the right to be their editor. Um, no. Here are my credentials, this is my page, this is the sample page of editing style, this is the quote.

    Either it works for you or it doesn't.

    You get what you pay for. If you're going to pay rates that are content-mill level rates, that the quality you get.

    I'm worth the money, and my rates are my rates. There's some room, in some instances, for negotiation, but the courtesy of the response has a lot to do with telling me what the client will be like to work with.

  5. Lori Widmer Avatar

    Thank you, ladies. All of you have just represented why you're class acts. 🙂

    I agree that a detached, fair assessment is a good response. Just a "Thank you and I wish you well" works for the nasty ones, but sometimes you really do wish you and the potential client could come to terms because they're just so darned nice.

  6. Sharon Hurley Hall Avatar

    Great responses. I usually let clients know what they can get for their budget.

  7. Susan Johnston Avatar

    I think Carol Tice responds with something like "I understand you can't afford professional rates at this time, but should that change in the future please let me know." I don't know if these prospects do contact her in the future but it seems like a dignified way to respond.

    In your case, Lori, I'd be frustrated that he asked for a proposal after you gave your rate. Why ask you to spend the time on a proposal if he thinks the rate is outrageous? That's what baffles me, but that does happen sometimes. More often, though, I send a proposal and just hear crickets, even when I follow up. That's freelancing for you!

  8. Lori Widmer Avatar

    Sharon, that's true. In my case, I send proposals — detailed ones — and they know what they're paying for. My proposals include my resume, which should indicate why my price isn't a bargain-basement rate. Still, there's going to be push-back at times.

    Susan, that's what has me scratching my head. Not sure exactly why it came as a shock. Oh well — it wasn't a match.

    I hear crickets occasionally, too. That's actually a bit easier to take because you know then that the price didn't fit them. 🙂

  9. Jennifer Mattern Avatar

    First of all, why the hell did he ask you for a proposal if he already knew your "outrageous" rates? Maybe he thought you were kidding? LOL

    I think Cathy's response is perfect.

    I generally take the approach of pointing out that these are professional rates, and they won't get the same experience on the cheap.

    I thank them for their interest and invite them to contact me again if their situation or budget changes.

    And I give them a referral (usually to a newer writer who might be open to the lower rates; I don't send the obvious price "negotiators" to other colleagues I know charging similar rates).

    They usually take the referral, the newer writer lands a gig they're happy with, and the client very often comes back to me later.

    The referrals cinch the deal. They appreciate that I care enough to point them to someone who can help rather than just blowing them off, telling them they can't afford a pro.

  10. Lori Widmer Avatar

    Jenn, I like your approach. It's been something I've admired for a while now about the way you work.

    Yes, it is a bit weird to have that reaction after the price was already put out there, but I suppose there's some disconnect between what I'd said and what the client thought he would see.

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